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18 Apr 2007 Burning Man cover art revealed
07 Jan 2007 New Forum is live
24 Aug 2006 A Course of Memetherapy
21 Aug 2006 Hounds of Avalon Award Nomination
04 Jul 2006 Jack of Ravens - the blog
23 Jan 2006 Age of Misrule prequel - with pictures!
20 Dec 2005 Manuscript Delivery...
14 Dec 2004 F'Con GoH, Walsall 2005
18 Oct 2004 Go East, Young Man...
08 Aug 2004 Bumper news round-up
25 Jun 2004 Coming Soon... The View Across Existence
08 Feb 2004 Queen of Sinister extract now online
22 Jan 2004 Awards and Stuff...
25 Oct 2003 Award Nominations and Other Stuff
05 Sep 2003 The Queen of Sinister...
18 May 2003 Wonderland out now.
19 Jan 2003 There are worse places to be...
19 Dec 2002 Signing and Talking
29 Oct 2002 WHO...???
20 Oct 2002 Did You Miss Me?
05 Jul 2002 Normal Service will be Resumed Shortly
17 Sep 2001 They're Down at the Bottom of the Garden I Tell You!
12 Jun 2001 Me and the Necronomicon
01 May 2001 Speak Your Mind
14 Mar 2001 ...And Now the Dark Age
14 Mar 2001 Always Forever Publication Date
25 Nov 2000 The First Winner!
20 Oct 2000 Win a Signed Manuscript
11 May 2000 The Origins of the Age of Misrule
07 Apr 2000 Energy Lines
17 Mar 2000 In Our Darkest Hour...
     

April 18th, 2007
Burning Man cover art revealed

Would you like to see the finished cover artwork for Burning Man, the second volume in my Kingdom of the Serpent series?

Here you go:




January 07, 2007
New Forum is live

The Mark Chadbourn messageboard has undergone a hefty upgrade (Jan '07); the aim being to limit spam and to make it a little more secure. It's something that we've been talking about and meaning to get around to for a few months now – you know how these things are – but the move was precipitated when some (actually quite polite) hack0rz broke in and left us a "your forum isn't very secure, you know..." message last week; which is why it has been off the air for a few days.

I'll offer my apologies now to regular users who will have to take the time to re-join. But I fully expect it to be back to its usual level of insanity, urbanity and intelligence in no time at all…as long as you all start posting like crazy.

And as usual, I will always be hanging out there to answer questions and throw my own half-baked thoughts into the mix.


August 24, 2006
A Course of Memetherapy

Just a quick note to say that I've been interviewed by the guys over at Memetherapy on the subject of how I approach writing and researching my books.


August 21, 2006
Hounds of Avalon Award Nomination

My novel The Hounds of Avalon has been shortlisted in the Best Novel category for this year's British Fantasy Awards. That makes five out of the last six books that have been shortlisted for Best Novel, which must be some kind of record. (Also, no wins, which must also be a record on the nominations / failure to win ratio...)

The award will be presented at Fantasycon in Nottingham next month, which is shaping up to be one of the best British conventions in recent years. Well worth a visit.

And there are some great books also on the Best Novel shortlist: Ramsey Campbell, Secret Stories; Hal Duncan, Vellum: The Book of All Hours; Neil Gaiman, Anansi Boys; George R R Martin, A Feast For Crows; Mark Morris, Nowhere Near An Angel.


July 04, 2006
Jack of Ravens - the blog

The new novel is out in three short weeks. Jack of Ravens, Book One of Kingdom of the Serpent. Two thousand years of human history. Mythologies from around the world. Insanely ambitious. Brain in meltdown.

There's so much background information to the story that I needed somewhere to make it available. And so we have www.jackofravens.com. It will serve two purposes.

Firstly, I'll be writing about all the things I do and the things I'm passionate about, whether that be mythology, music, film, books, comics or the issues that make me angry. If you read the old blog of a few years back you will know what I mean.

Secondly, the site will be the equivalent of the 'special features' section of a dvd. I'll be providing research material, notes on the things that inspired and informed the novel, and extra story information on the Kingdom of the Serpent that will add a new element to reading the story.

And you get to air your own opinions by commenting on the posts. Let me know what you think!


January 23, 2006
Age of Misrule prequel - with pictures!

The much-requested prequel to The Age of Misrule - World's End, Darkest Hour, and Always Forever - will be available in April 2006 in a surprising format.

Book of Shadows details the story of young, failed witch Annie Lovelock as she's manipulated by the Morrigan to find a mysterious object which will help bring back the missing gods.

It will be available in two comic books, published by Image Comics, with art by the fantastic Bo Hampton, famous for his work on Batman.


Book of Shadows, Page 13...


Now I know some of you may not have read a comic since you were kids and are probably thinking that I've finally gone over the edge. Well, trust me - this is going to be great. Bo Hampton's artwork is remarkable and it will add a whole new dimension to the story I'm telling in my novels.

You're not going to want to miss this as it uncovers some of the secrets of The Age of Misrule and sets the stage for stories to come.

You may not have the first idea how to track down a graphic novel. Don't worry, I've thought of everything. I've done a deal with Ace Comics, one of the UK's leading comic shops, to provide the issues straight to your door. Here's Ace boss Martin Averre:

"To get each issue of Book Of Shadows as it is released send a cheque for £7.98 made payable to Planet Ace Ltd to Ace Comics, 63-64 High Street Colchester, Essex CO11DN England. Alternatively pay the £7.98 by credit card. These details can be e-mailed to martin@acecomics.co.uk or phoned in on 01206 364140.

Not forgetting of course your address.

Each of the 2 issues will be mailed to you on the day of release securely packaged and in a comic bag with a comic backing board too.

Planet Ace Ltd has been trading for 25 years and is renowned as one of the Premier suppliers of new comics in Europe. For more information visit our web site www.acecomics.co.uk"

Just to confirm: £7.98 gets you two issues - more story pages than your average comic book, by the way - mailed straight to your door. And that price stands for anywhere in the world.

I'll be providing more art samples here shortly, but if you want any more information or to discuss this, go to the message boards...


December 20, 2005
Manuscript Delivery...

The Manuscript for my next book has been delivered to my publisher within the deadline so we should be on schedule for a June 2006 publication. It's the longest and most complex work I've written (which explains my pathetic absence from updating this website for the last few months).

In the interim, there has been a title change. Next June look out for Jack of Ravens, the first volume of The Kingdom of the Serpent. It's the same story that was previously announced, but I felt these titles were more effective. Check here for extracts and more information in the coming months.

Also on the cards for around the same time next year is my graphic novel, Book of Shadows. Initial publication is two 24-page issues, which should be collected into one hardback book at some time in the future. The story, which is a prequel to the Age of Misrule, is being published by the Desperado imprint of Image Comics and will be available for order in April. Again, more information shortly.

And finally, to combat my inactivity on this website, I have secured the services of an assistant who will be sending out regular newsletters with publishing updates, extracts, free short stories, stuff to win and more. All you have to do is sign up to receive. I will be putting a more formal update of this on the website in the next few weeks, but if you want to book a place now, go to the Contact page.


December 14, 2004
F'Con GoH, Walsall 2005

I have been invited to be Guest of Honour at the 2005 annual convention of the British Fantasy Society. Fantasycon will be held at the Quality Hotel in Walsall, near Birmingham (the same venue as last year) from September 30 to October 2. I'll probably be taking part in loads of panels, generally haunting the bar trying to beg a free drink and feeling puffed up at the honour of it all.

Next year I'll also be attending Science Fiction's biggest gathering, Interaction, the 63rd Worldcon, which will be held in Glasgow between August 4 and 8.

Just trying to get out more...


October 18, 2004
Go East, Young Man...

Two new international deals have just been signed for my books. Firstly, The Age of Misrule will be coming to the Czech Republic when Polaris publishers shortly make World's End available to the buying public.

And The Fairy Feller's Master Stroke is on its way to Japan, courtesy of Babel Publishing.


August 08, 2004
Bumper news round-up

Award Nomination
My novella Wonderland has been nominated for this year's British Fantasy Awards.The story features the popular SF TV character Dr Who, a time traveller, involved in a mystery in Haight-Ashbury, San Francisco just prior to 1967's Summer of Love of sex, drugs and rock 'n' roll.

It is believed to be the first time a TV tie-in has been nominated for one of the major awards in the UK or the US.

Wonderland was written for Telos publishers' line of established SF and fantasy writers tackling the character as a celebration leading up to the 40th anniversary of Dr Who's first TV appearance.

At this moment, I don't know who else has been nominated for this award.Last year I won the same award for my novella The Fairy Feller's Master Stroke (PS Publishing), so I'm extremely gratified that I'm being considered for a second year running.

The Queen of Sinister reviews
The Queen of Sinister has been reviewed on acclaimed websites The Alien Online and SF Crowsnest.

Convention Appearance
I will be appearing at this year's FantasyCon science fiction, fantasy and horror convention to be held at The Quality Hotel, Walsall, UK, on September 24 - 26.

So far I'm booked in for one panel - on comics - but I may well do some more.I'll also be around the main areas signing books, answering questions and generally chatting about any aspect of anything.Feel free to come up and introduce yourself.

Guests of honour this year are horror author Muriel Gray and fantasy writer Robert Holdstock.Other authors confirmed - with more to be added - are Ramsey Campbell, Lisa Tuttle, Mark Morris, Stan Nicholls, Cherith Baldry and Juliet E Mckenna.

The con has a very friendly atmosphere and new arrivals are made more than welcome.There'll be interviews, panels, RPG, stalls, a raffle, a quiz, chat and, on the Sunday, the presentation of the British Fantasy Awards.

For more information go to www.britishfantasysociety.org.uk, email fcon@britishfantasysociety.org.uk or write to FantasyCon04, Beech House, Chapel Lane, Moulton, Cheshire CW9 8PQ

Just in time for Christmas... I'm involved in the British Fantasy Society's latest prestigious project involving some of the biggest names in UK fantasy. It's a calendar based around the ancient Arthurian story of Gawain and the Green Knight.

The tale unfolds month by month, each entry featuring a fantastic piece of artwork, and I've contributed December's denouement.

Edited by Paul Kane and Marie O'Regan, the calendar features an introduction by Clive Barker and cover artwork by the award-winning Les Edwards (who also provides the cover illustration for my forthcoming novel The Hounds of Avalon).

Other writers include Neil Gaiman, China Mieville, James Barclay and Kim Newman, while featured artists include Bob Covington, David Bezzina and Sara Zama.

The calendar will retail at £7.99.More details and a chance to pre-order are available on the BFS Website.


June 25, 2004
Coming Soon... The View Across Existence

Terms have now been agreed with my publishers Victor Gollancz for what they describe as "one of the most ambitious fantasies ever imagined".A three volume sequence, with the working title of The View Across Existence, will begin publication in the late summer of 2006.

Here's how the publisher describes it:

"A quest of epic reach, ranging from the dawn of humanity to the modern age…spanning the globe under the mythologies of five great cultures…and finally crossing the barrier between life and death...

"A love story with all Existence hanging in the balance.A high adventure of dazzling sword fights and apocalyptic wars in the days leading up to Ragnarok, the End-Times.A breath-taking surreal vision of twisting realities and altered perceptions where nothing is quite as it seems.

"Archaeologist Jack Churchill wakes to find himself in the times of the Celtic tribes, with the memory of how he got there fading fast.All he knows is that the woman he loves waits for him in the 21st century, and by shifting to the timeless Otherworld of Tir n'a N'og he can while out the days and years until his era rolls round again.

"But there is a malign intelligence also waiting in the present day, and it will do anything in its power to prevent Jack's return.In a universe where time and space are meaningless, its tendrils stretch back through the years...

"But that isn't the only threat: a former friend, now corrupted by the darkness, was also thrown back to the Iron Age.He is Jack's dark reflection, but just as driven.And they both love the same woman..."

Go to the messageboard to post your views...

 


February 08, 2004
Queen of Sinister extract now online

Queen of Sinister coverAll those eagerly awaiting news of my brand new novel, The Queen of Sinister will be delighted to learn that an extract is now available on the site.

Click here to read an extract from the second book of the Dark Age series, in which GP Caitlin Shepherd discovers that she could very well be the last hope of humanity, the only person who can find a cure for the deadly plague sweeping the land.

Although to find it, she might have to journey further then she ever expected, or dreamed...

 


January 22, 2004
Awards and Stuff...

The Fairy Feller's Master Stroke was honoured with a British Fantasy Award at a glittering (it says here) awards ceremony in the UK in November. Yes, November. I know I should probably have mentioned this sooner, but I've lost two months in celebrations.

The novella picked up the Best Short Fiction trophy against some very stiff competition... China Miéville, Michael Moorcock and other big names. But China got his own back by pipping me to the Best Novel Award. He won it for The Scar, I didn't for The Devil in Green. Congratulations to China, and the winners in the other categories… particularly PS Publishing guru Peter Crowther, who seemed to have a presence everywhere. Naturally, Pete published Fairy Feller, but also the best anthology, Steve Jones' Keep Out the Night, the best collection, Ramsey Campbell, Probably, and Pete picked up his own award for Best Small Press. The man is taking over the world...

Unfortunately, prior commitments prevented me being at the awards ceremony, but Pete picked up the trophy on my behalf. In a desperate bid to embarrass him before the assembled ranks of fantasists, editors, agents and fans, I insisted he did a Snoopy-dance of joy on the stage. Somehow this transmuted into a Winne the Pooh dance, but, as his wife attests, the embarrassment remained just as acute. I wish I'd been there...

 


October 25, 2003
Award Nominations and Other Stuff...

The Devil in Green has just been nominated for the August Derleth Award for Best Novel, a very prestigious trophy presented every year by the British Fantasy Society.

The Fairy Feller's Master Stroke, my novella published by PS, has also picked up a nomination in the BFS awards, for Best Short Fiction.The winners will be announced at the annual convention, Fantasycon, held this year in Stafford in November.

The members of the BFS have been very kind to me over the years.Both World's End and Always Forever were shortlisted for the August Derleth Award.

It's been a pretty good year for me on the accolade front.The readers of funky genre magazine SFX voted The Devil in Green in the top ten best novels of 2002, and I made a showing in the top ten best novelists (one place above J K Rowling, and wouldn't I like her sales...)

So, a hearty thanks from me for everyone who has voted for me this year.

 


September 05, 2003
The Queen of Sinister...

...has been delivered to my editor and the manuscript is now working its way through the editing process ready for the publication date of March 2004.I feel this is my best novel to date and should be of particular interest to those readers who wanted to see more of the fantastic realm of Tir n'a Nog.

Centre stage this time is Caitlin Shepherd, a GP desperately trying to find a cure for a mysterious plague that is laying waste to modern Britain.The disease appears to have an otherworldly origin... and the only cure may lie in the Land of Always Summer, home of the gods.

And for those who have followed the sequence since World's End, there are some intriguing clues to the mysteries surrounding the Brothers and Sisters of Dragons you all know and love... and further mysteries!

More soon... including an extract...

 


May 18, 2003
Wonderland out now.

Wonderland, my Dr Who novella, is available to buy now from Telos publishers.It places the Doctor in the exhilarating milieu of Haight-Ashbury, San Franscisco, on the cusp of the Summer of Love, and includes such local characters as Timothy Leary (the "Turn On, Tune In, Drop Out" guru), the beat poets, and moving through the background, the Grateful Dead, Big Brother and the Holding Company, Janis Joplin, and all the other musical greats of that time.

It features drugs and some sex, as you would expect of a story set in that era, so it may not be for all Who purists.In fact, you don't need to know anything about Dr Who to appreciate the story.First and foremost, I tried to tell a good story... as opposed to telling a good Dr Who story.I don't expect everyone to go for that approach.

You'll need to seek it out at a good bookstore – one of those that actually love books and don't try to shift everything under the sun – or order it from an on-line bookseller, such as Amazon.co.uk, or direct from Telos at www.telos.co.uk.

 


January 19, 2003
There are worse places to be...

...than inside the mind of an author, honest.But if you want to get into my head during the writing and editing process of my next novel The Queen of Sinister check out the now-up-and-running Journal on this site (see the navigation bar above).

Here I’ll not only be detailing the agonising process of getting the book into print, but also writing about my thoughts, hopes and fears on a whole range of topics... from the likely war in Iraq to environmentalism, magic, fantasy, film and music, and anything else that takes my fancy.

The aim is to update every few days so check back regularly...

 


December 19, 2002
Signing and Talking

I’ve just finished signing what seems like a million frontspieces for the forthcoming Doctor Who novella I’ve written for Telos publishers.There were only a few hundred, but I can’t express how tedious it is to scrawl your name over and over until your hand feels like it’s going to fall off.Anyway, they’ve now gone off to Graham Joyce so he can suffer – I like to spread my misery around.Graham has written a great introduction for Wonderland (though I’m sure he agreed to it before he realised he had to sign all the frontspieces too).

For those who don’t know, Graham is the top-notch author of several critically-acclaimed novels that skate the strange land between SF, horror and the real world.His latest book, The Facts of Life, has just come out from Gollancz and is highly-recommended.I went along to his launch party at the new Borders aircraft-hanger-cum-shop just outside Leicester the other night, where we spent several hours arguing over who had the best leather jacket.Naturally, it was me, but Graham is one of those people who just can’t see sense.

I also managed to fit in time to do an interview with the witty and surprisingly-charming-for-a-journalist Andy Hedgecock for The Third Alternative (TTApress.com), out now.TTA is a great magazine that you should all go out and buy.It has new fiction by great writers, lots of reviews and interviews, and treats its genre subject matter in a very intelligent way (unlike some news-stand SF magazines).The article also debuts some new photos of me, including one of me with an axe, which is bizarre but a big step forward from the one of me sitting in a deckchair that my publishers freakishly thought made a good publicity snap.However, it did get me a gig on Brighton Pier…

And I have a column in the forthcoming issue of The Edge (see links page) where I rant in a shocking and uncivilised manner about many topics, but in particular how people no longer believe in things enough to fight for them.

Which takes me back to my Doctor Who novella, Wonderland, and the hippie protest movement in San Francisco…

 

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October 29, 2002
WHO...???

Doctor Who, that is. I've just completed a novella about the Time Lord called Wonderland that will see publication in March next year. Now you may wonder why I'm writing about somebody else's characters..? Have I run out of my own ideas? (No.) Do I need the money? (Yes - who doesn't? - but that's not the reason.) Am I a closet Doctor Who fan? (Not really - I haven't seen the show since I was a little kid, but there's certainly a nostalgic attraction…)

When I was first approached by the publisher to do a Doctor Who story, my initial reaction was to turn it down. But then I started to think... Regular readers will know I'm interested in myths and archetypes... iconic characters and powerful images... and how iconic is Doctor Who? There's a very good reason he's survived for forty years (first broadcast the day after President Kennedy was assassinated) - most people know who he is, even if they've never seen the show.

If I was given the freedom to bring my own style and concerns to the character, it could be very interesting indeed. And, strangely, that was just what the publisher wanted... a Mark Chadbourn story with the Doctor, not a Doctor Who adventure by Mark Chadbourn. It felt like they'd given up the keys to the toybox.

So... Wonderland. It's 1967 in Haight-Ashbury, the spiritual home of the Counterculture on the eve of the Summer of Love. It's the Second Doctor (the Patrick Troughton one), one of the few outsiders who'd fit into that crazy place. There's the Grateful Dead, Timothy Leary, the Beat poets, psychedelia and all the other touchstones of that era... and a young woman progressing into the dark heart of that Wonderland. It's about myth, wonder, loss, despair, redemption, politics and why the young should always rebel, and oddly it's a companion piece to The Fairy Feller's Master Stroke. You don't even have to like Doctor Who to enjoy it.

It's going to be one of those limited edition novellas, which give a kick to the wallet and look beautiful on the bookshelf, and it's published by Telos (www.telos.co.uk) so you can order it from their website, from Amazon or any other good bookshop. And it'll be signed by me, Graham Joyce who wrote the introduction, and the as-yet-unidentified artist.

Now, I wonder if they'll let me have a go at Batman…?

 

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October 20, 2002
Did You Miss Me..?

Welcome back to a new and improved site. I'm planning to keep this one regularly updated with news, views and general waffle on a range of subjects, after the nightmare I had with the hosts of the last site (effectively keeping shutting it down for months).

So…what's been happening? I have a new book out, The Devil in Green, examining what's happening in the world that remains at the end of Always Forever. It follows a mercenary, Mallory, as he signs up with the new Knights Templar to protect what remains of the Christian Church, now holed up in Salisbury Cathedral. They're under siege by something powerful and frightening… slowly starving, slowly going mad. The old gods of Celtic mythology are still wandering around, though radically changed from the last time we saw them. And a threat is starting to wake on the edge of the universe…

Also out is a novella, The Fairy Feller's Master Stroke, with a story of mystery, madness and magic surrounding the painting hanging in the Tate Gallery in London. It's a little pricey (I don't get any more money, by the way), but its handsomely produced by PS Publishing, a limited edition signed by myself and all-round good egg Neil Gaiman who wrote the introduction. (Go and read Neil's book American Gods while you're at it - highly recommended).

I made a brief appearance at Fantasycon in London in September to launch The Devil in Green. No books were available at that point, but I did get to trumpet the launch, drink free beer and duck out before it was my round. So, a success on all fronts…

I've completed another novella (more on that later - you might be surprised by it, though), and I'm currently piecing together the next novel, The Queen of Sinister, which will be packed with revelations, more mysteries and as much wild invention as I can suck out of my head.

That's enough for the past. Next time…the present. And maybe even the future…

 

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05 Jul 2002 - Normal Service Will be Resumed Shortly


Major technical difficulties that have kept Mark Chadbourn's website in limbo for several months have now been resolved (almost).

A new site will be launched shortly...with extracts of new books, short stories, competitions, as well as information unveiling the secrets of ancient sites and occult mysteries...and...finally...the long-awaited message-board...

Keep checking back here for news...

 

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17 Sep 2001 - They're Down at the Bottom of the Garden I Tell You!


The Fairy Feller's Master-Stroke
is a novella I've just delivered for publication in an extremely limited, signed and numbered hardback edition, and merely a very, very limited paperback edition (also signed and numbered).

If the title seems familiar, then congratulations on being an erudite, artistic person. It's also the title of a mysterious painting that hangs in the Tate gallery in London, detailing a hallucinogenic vista on to fairyland where the aforementioned axeman is about to split a chestnut before the faerie court. It was painted by Richard Dadd, a highly gifted Victorian artist who suffered a bi-polar condition, lost complete control and murdered his father, believing him to be possessed by the Devil. He was consigned to the infamous asylum, Bedlam, in London where he created this, possibly his most famous work.

So you have madness, and murder, and a mysterious painting that purports to offer a glimpse into Fairyland - the perfect ingredients, I think, for a tale of the fantastic. My novella concerns a man determined to unwrap the true meaning of the painting, and what happens to him when he actually does…

There'll be a famous person writing the introduction - name to be announced later.

It's being published by PS Publishing, responsible for similar special edition novellas from the likes of Kim Newman, Stephen Baxter, Michael Marshall Smith and Graham Joyce among others. If you're keen to get hold of a copy, best to contact PS boss Pete Crowther on crowth1@attglobal.net as you're unlikely to find it in your local bookshop because of its limited nature.

He'll fill you in on prices (£25, for the hardback, I think. Significantly less for the paperback.) and publication date. Tell him I sent you…

 

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12 Jun 2001 - Me and the Necronomicon


I’ve just had a story accepted for the anthology Children of Cthulhu, which will be published in hardback by Del Rey in the US in January 2002. As the title suggests, it’s a collection of stories by modern writers who’ve been influenced by the legacy of H. P. Lovecraft at some point in their careers. My story, 'Sour Places', is in there alongside work by China Miéville, Poppy Z. Brite, Alan Dean Foster, Caitlin Kiernan and others; anyone who’s read any of my older horror stuff will know what to expect: murder, despair, strange creatures, haunted characters, heavy on mood and light on gore. Trade paperback and mass-market paperback editions are expected to follow. For readers outside the US, all should be available on import. Ask your local bookseller or go to Amazon.com.

While I’m now a full-time writer, I’m still a reader and a fan of imaginative literature, and I get a real fanboy’s buzz playing with the toys of the writers that inspired me in my formative years. I still have the beat-up paperback of an HPL anthology I bought from Swadlincote market in Derbyshire one Saturday morning in my early teens. It fuelled my passion for the Weird Tales writers of the 30s and 40s (of which HPL was one), along with the Thomas-Smith Marvel Comics adaptation of Conan the Barbarian. The paperback pages are brown now, but my memories of The Rats in the Wall and Pickman’s Model are pristine. (My favourite, though, for a reason I can’t explain, is The Music of Erich Zann).

That’s why I can’t resist contributing to these homage anthologies every time I’m asked. A couple of years ago I had a story in The Last Continent: New Tales of Zothique, a tribute to the florid, bizarre work of Clark Ashton Smith, another Weird Tales alumnus. These writers revelled in strange people in even stranger worlds and any afficionado of fantasy should check them out. (Orion in the UK plans to publish a Clark Ashton Smith collection as part of its Fantasy Masterworks series in early 2002).

 

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01 May 2001 - Speak Your Mind


If any of you wish to talk among yourselves about my work…or me, if you’re that way inclined…there’s a new message board up-and-running at http://guestbooks.pathfinder.gr/read/MarkChadbourn, while we’re waiting for one to be set-up here.

It’s the place to post your theories about what might happen in the final volume of the Age of Misrule (out this September)…to discuss the identity of the traitor, the nature of sacred sites and earth mysteries, how much of the trilogy is "true" and how much "made up" (you’d be surprised), and any other items of esoterica. And I’ll be there to answer any specific queries anyone might have.

Make the most of it...

 

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14 Mar 2001 - ...And Now the Dark Age


From the summer of 2002, look out for The Dark Age. As the title suggests, my next sequence will examine the world - or what's left of it - that remains after The Age of Misrule. I can't give too much away for fear of spoiling the possibly shocking ending of Always Forever, but expect the usual blend of magic, wonder, heroism, chills, romance, sex, drugs and music, stirred up with down-to-earth, gritty characters. There'll be a new cast, though I'm not ruling out appearances by anyone who makes it to the end of The Age of Misrule. In fact, some of the questions deliberately left unanswered by The Age of Misrule will be picked up here. There's a bigger story in the telling…

Contracts have been signed for three books, however this will not be a standard trilogy. Each book will be a stand-alone story, with underlying plots, characters and themes linking the three. And they can be read in any order, if you want to save up your money for three years to buy them all at once…

I've taken heed of the readers who felt a year was too long to wait between instalments (even though I give a pretty detailed precis at the start of each book). The problem was particularly exacerbated with The Age of Misrule, which is essentially one story broken into three parts (like Lord of the Rings), rather than other trilogies that have more clearly defined individual volumes. I would have preferred to publish it all in one go, but your shelves would have dissolved under the weight. Having said all that, I may go back to the old serial format in the future, once I've given you all a breathing space.

I can't tell you what any of the books are about yet, but the first one has two working titles: Glastonbury and Slouching Towards Bethlehem, but may end up being called neither…

More later…

 

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14 Mar 2001 - Always Forever Publication Date


My publisher, Victor Gollancz/Orion, has scheduled Always Forever, Book Three of The Age of Misrule, for publication in September in the usual hardback and trade paperback editions. The mass market, smaller-size paperback will follow in the summer of 2002. As anyone who knows the whims of publishers will realise, this date may slip a little, so check back here for any updates.

Jon Sullivan has already turned in a cover illustration that outdoes his excellent work on World's End and Darkest Hour. I can honestly say you'll be knocked out when you see it on the shelves.

And the book itself? Some will live…some will die…and nothing will ever be the same again (and if you know where that quote came from, you had a mis-spent childhood). All questions will be answered… well, most of them anyway…

To whet your appetite, I'll be publishing an extract here in a few weeks' time.

And finally, things have been a little quiet here over the last few months as I finished the manuscript before the deadline, but from now on there'll be lots of news and comment posted on this page. And as usual, questions, theories and general whimsy is always welcome from any readers…

 

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25 Nov 2000 - The First Winner!


The guerrilla promotion campaign for World’s End and Darkest Hour is gathering pace. The first winner is Sean Bryant who’s whipping up a frenzy among booksellers down in Adelaide (or “up” if you live in New Zealand). His prize for mobilising the Forces of the Blue Fire is a signed original short story manuscript. Highly collectible, worth, oh, a small fortune at least…

And just to show what an all-round good guy he is, he also supplied us with a true story of the strange. Mull over this one, as told in Sean’s own words:


“I was born in Papua New Guinea. My father was working for the Australian Govt at the time before PNG was an independent country.

Just after I was born, Dad went to do some work in the Highlands at a new base that was being set up. While he was there, he was given a "mask" by the local white witch doctor. This mask stood about 4 feet high, and had close to 50kgs of PNG's finest hardwood in it. It was probably more like a totem. The mask was a "protecting" spirit and Dad was told that the mask would always protect his family.

Well we took the mask everywhere we moved. In 1974, we moved to Darwin, and on the night of xmas eve, Darwin recorded the worst Cyclone ever to hit Australia at the time. Darwin was destroyed basically.

The house we had didn’t have room in it for the mask to be "set up" so it lived in the storm shelter underneath the house. Before I go on I should point out that most of the houses in Darwin at the time were on stilts, up off the ground to try to make them a little cooler.

When the cyclone came, we went "under" the house (although it was still above ground) and went to sit it out in the storm shelter / laundry / store room. We closed the door and it was at about that time that the power went off.

The next morning when we thought it was safe to go out. But the mask was against the door and we couldnt get it open. With the rocking and rolling (and the removal by the wind of most of the house above us) Dad just thought that mask had dropped from wherever it was stored, to straight in front of the door. And we assumed that there was rubbish and debris on the other side of the door. We were not wrong about that at least.

To this day I believe that the mask moved itself to protect us. Why? Because when the clean up and emergency crews came to see if anyone was still alive in our shelter, they had to get in a crane to move the girder that had come in through the door, and done nearly a 180 bend to head out again. This was a girder like you would see in something like a warehouse. It was your typical "h" girder, and was bent nearly in two. This was the power of the wind where we lived. Nothing in the area was left standing,except our little shelter. The mask had scrap marks from the paint of the girder on it...... and the wood was marked, but...... the door was intact, unbroken, in one piece. If the girder had come through the door, it would have killed us all..... A total of 87 people died on that base (13 short of 100) and they were the only deaths from the cyclone. and we were the only people to have walked away unscathed (although I tripped on a piece of sheet metal later on xmas day and needed something like 50 stiched for the gash in my arm.)

Do you have a chill down your back yet? But wait there's more.

A couple of years later we had a fire start in our kitchen. The mask was part of Mum's "New Guniea" exhibition that she displayed in our living room. The fire took the whole house, except you guessed, the mask. Despite being the proud "centre piece" of the display, we were amazed to find that the floor boards had given way and the mask had dropped into the area below the floorboards. The Firemen at the time said that it was because the wood is so dense and heavy that it takes a lot to get it burning, but that is only an excuse.

What do you think?”

Good story, eh? Any more?

 

 

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20 Oct 2000 - Win a Signed Manuscript


Darkest Hour was released in hardback and trade paperback on October 18. World’s End came out in paperback a month ago. Reports from bookshops suggest they are both selling extraordinarily well.

Being the kind of person I am, I want more! In a bid to generate increased sales, I am opening up a competition. The prizes: signed and dated original manuscripts of short stories and a signed publisher’s proof of World’s End, dog-eared and scribbled on with my corrections. These are not only very collectable, they have a significant re-sale value. That’s hard cash for the bread-heads among you!

What you have to do: go out into the world and generate some sales for me. Bug friends, enemies and every bookshop you know about my work. Contact the local press and radio to get extra publicity – I don’t know, how World’s End saved your life, how your family holiday was spent tracking the very detailed route of the characters through the two books so far… I’ll leave it up to your fertile imaginations. The only criterion is that your actions do something to boost sales. And the wilder, the better.

I’ll need some proof – newspaper clippings, say, or a note from your bookshop (tell them I’ll give their shop free publicity on this website). Send me an email to let me know how you’re getting on…

In the meantime, here are a couple of readers’ accounts of their odd experiences at ancient sites:

From G.C.
Mark
Much appreciated. I was looking over your site and noticed that you were interested in anyone having any strange experiences at any of these mystical sites. We had something weird happen to us about 15 years ago at a small stone circle above the town of Penmaenmawr in north Wales. My husband, our two friends and myself decided to go for a walk up to see this particular circle mainly because I’m fascinated with anything like that and because the others just fancied a walk. It was September time and although it was light when we set out it was dusk when we arrived at the circle. The circle was set on a hill above the town surrounded by bracken. We were all laughing and chattering as we approached it and one of us remarked that we shouldn’t be too long as it would soon be dark. The four of us walked into the circle and could not believe the feeling of intense cold that hit us. We walked back out and the mild September air felt like a warm Midsummer night in comparison. It shook us all as also there was a strange eerie feel to the place. We decided to go the quickest route which was straight down the hillside and I have never moved so fast. Slipping and sliding down the bracken covered slopes as if the hounds of Hell were on our tail. My husband and friends are all sceptics but they still mention the spooky feelings we had at what I seem to think was called the Druids circle.
I know this is not much of a weird experience but it certainly felt like it at the time.


From L.G.
Hi,
Just stumbled across the web site. My wife and I moved to Vancouver from Oxfordshire last year. As a link to the "World's End" trilogy, we lived in Great Rollright, about a mile from the Rollright Stones. The last time we were at the Stones the guides gave us some dowsing rods, kind of like sticks on coat hangers. As we walked towards the centre of the Stones, both sticks started rotating like crazy. That's my contribution to the bank of stories re sacred sites in the UK.


Keep ‘em coming...

Mark.

 

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11 May 2000 - The Origins of the Age of Misrule

For anyone interested in how writers nurture ideas over the years, here’s a short story which provided the basis for my current fantasy trilogy, The Age of Misrule. It was originally published a few years back in the now hard-to-find anthology Cold Cuts 2.


THE CREAK OF HIDDEN DOORS

by Mark Chadbourn

FROM his vantage point at the top of the cliffs, Martyn Chandler looked out over the town that had haunted his thoughts for 25 years. The beach, so far beneath him, was wide and bright in the early morning sun like a golden highway, but at that time devoid of the travellers that would churn its virginal sand and pack it from surf to cliff by mid-morning. Tenby was still sleeping. The holidaymakers who had made their traditional pilgrimage from the Midlands were tucked up in their beds in the stately hotels that lined the front or the pastel painted B&Bs that kept their secrets in the twisty-turny streets of the old town, secure in Welsh hospitality.

They returned each year to rekindle the bedazzlement that sparkled on the beach and in the picture postcard harbour where the fishing boats looked more like fairground rides than workaday floating factories. Martyn recognised that magic, as he had done since he was a child, but he knew there was another kind of magic there too, real magic, and it had dragged him back repeatedly like a hook in a carp.

"Don't go back there," his wife had said to him. "If you want a holiday, there are plenty of other places we can go to. Norfolk. Scotland. That place is on your mind so much, I don't think it's healthy." He had ignored her, as usual. The marriage was on its last legs anyway. In fact, he hadn't been able to hold much of anything in his life together. Relationships crumbled - he had only married because he couldn't face more weeks of getting to know someone - jobs came and went, friends drifted away. Marianne had recognised the source of his inability to focus on life long ago, but she didn't have to be that perceptive to see it. "You're obsessed," she had snapped before marching out of the room, slamming the door so hard the pictures on the walls jumped.

He had to go back. He had to find the door that would take him away from the cold, bleak world his life had been for the last 25 years and that would lead him into a new life filled with colour and hope. And magic.

As he made his way down the precipitous winding steps to the beach on the first circuit of his daily round, he thought back to that long, hot summer at the end of the sixties when he first glimpsed the heaven and hell of Tenby's secret world. He was eight years old, filled with dreams of Spider-Man and The Fantastic Four and at that time, in some way, the South Wales coastline seemed to give shape to the fantasies that sprawled around his head. Across the ocean that crashed on to the beach, a new age was dawning. Haight-Ashbury was discovering its own brand of magic, fuelled by lysergic acid and alchemical music, but in Tenby the old age had never ended. The past lived on with the present.

Things had happened then, luminous things, dark things, a staggering new vista exploding in his face in one fateful moment, so bright that his mind had only been able to hold on to the merest glimmer while the rest burned its way through the shadows of his memory. It had changed him forever.

Ten years later he returned to solve the mysteries and heal the scars of that traumatic summer, his first girlfriend in tow, making a pretense of a holiday that retrod the footprints of that family excursion of his childhood. The same hotel. The same ice cream parlour. The same trip across the bay to the monks of Caldey Island.

And ten years after that he tried again, his career as a journalist established, newly moved into his first proper home in London, with his first brand new car, and his newfound maturity.

The answers were never there, and the questions continued to burn deeply into his soul, troubling his days and tormenting his nights. He had to know. It was too much of a burden to carry with him into old age, and he realised, as the years passed, that it would wear him down little by little until all hope of finding peace was totally eradicated.

He had to know.

And so he came back after only five years this time, older, wearier, but with the reality of that sixties summer burning as brightly as if he had lived it yesterday.


"Regular as clockwork, you are, boy." The man selling tickets for the boat trips had a face that was lobster-red and his pungent smell was of seaweed and lobster pots. Martyn paused reluctantly at his kiosk. "Every day for the past four days I've seen you walk past here at this time. I could set my watch by you. What's the matter? Nothing to do?"

Martyn smiled politely. "Just taking the air."

The ticketseller leaned forward through the opening conspiratorially. "You don't fool me, boy. You're looking for somebody. I've seen you staring into all the doorways and down the alleys. What is it? Your woman come here for a dirty weekend with the milkman?" He laughed at his own joke; the inside of his mouth seemed as pink as his face.

"I lost something 25 years ago and I'm still looking for it."

"You're optimistic."

"It's all I've got."

Martyn walked away from him, towards the gates where the path wound up past the museum. He rose at six every morning and walked along the beach before the crowds came. During the heat of the day he trawled the streets, completing circuit after circuit like a wind-up toy. At night he drank in the pubs, carrying out another circuit of the old town, before retiring at midnight, exhausted. The routine never changed. The sights remained the same. Constantly seeking, never finding.

He rested at the gates and took off his jacket. The cloth was winter wear, charcoal wool, and it was making the sweat run uncomfortably down his back. It was 11am. The sun had bleached the colours out of everything and the heat was oven-strong and rising. He would follow the winding path around the grassy seafront and return to the harbour before making his way to a restaurant for lunch.

Ahead of him there seemed to be a bundle of dirty rags dumped on a seat in the sun. It was an old man, staring blankly out to sea, his long, straggly hair and unkempt beard grey, but so dirty they had taken on the brown sheen of weeks-old grease. His skin, what Martyn could see of it, was wooden-brown from too long in the sun and wind.

Martyn noted him then blanked him out as he did with everyone else he encountered. But suddenly something triggered a response within him. It might have been a gleam in the old man's eye, or the strange way he held his head, or a fleeting expression, but in that instant all the memories and sensations of summers past came rushing into his mind.

Here it was. Finally.

He tried to think of the right words to say, the prickly sweat of excitement hot on his back, but his thoughts were a mad tumble and the only thing that would come out was a throaty, "Hello."

The old man didn't reply. Instead he seemed to retreat into his rags a little more.

Martyn squared up to him. There was no doubt about it. He was older, filthier, but he was the one.

His nose wrinkled at the odour of sweat, urine and dirt as he sat next to him. "I was there too," he said quietly, following the old man's gaze out to sea. "August 21, 1968." The date had power; he felt a rush of apprehension and excitement when he spoke it. "On that street running down towards the front in the old town. It was midday, but there was no one else on it - just you, me and the girl. You remember."

The old man continued to ignore him. He seemed to be rolling something around in his mouth.

"There's no use pretending. I know it's you," Martyn snapped. He wanted an instant response, answers; after all these years he could not let it slip away. "You were much younger then, but to me, a kid, you seemed old. You were wearing a business suit, grey pin-stripe, and glasses. Your hair was short and it had streaks of grey and white in it. So did your beard. That was trimmed close. We heard the sound, all three of us, at the same time."

He watched the old man for a response. There seemed to be a faint smile growing beneath the filthy grey hairs.

"Okay," Martyn said defiantly. He pulled up the sleeve of his jacket, undid the cuff of his shirt and rolled it back. "Look."

The remnants of that day were there, burned into the soft flesh of his forearm. There were four black strips, charred at the edges, still red raw in the centre, after all those years. Martyn turned his arm over and there was a fifth stripe on the other side.

The old man ignored the sight and looked Martyn in the face. A small giggle rolled out of his mouth, but then he seemed to control himself and his voice was serious when he spoke, the words carefully enunciated; an educated man. "Is this real?" He looked around him suddenly, at the pastel-coloured hotels, the gulls cawing and swooping in the clear blue sky, the snake of people queueing for the boat to Caldy, as if he had not seen any of them before.

"I've got to know," Martyn asked, trying to control his anxiety. "What happened that day?" It was only the first question, and not the most important. He wanted to grab him and shake him and get to the root of the thing that had dominated his life almost for as long as he could remember. He wanted to ask the two big questions: where was the door? And how could he open it? The details of what lay beyond did not matter. Heaven was heaven whichever way it was described.

The old man smiled. There was a glimmer in his eyes that did not come from sanity. "Worlds," he replied enigmatically. "Worlds upon worlds upon worlds, stretching out to infinity."

"When the door opened, I looked through it. I saw something..."

He nodded a little too quickly. "Beautiful, yes. A terrible beauty. The Garden of Eden. The Elysian Fields. All there, all there."

Martyn was shaking as the memories rushed back into him with startling clarity. The wonder had washed over him in waves, radiating out from the other side of the doorway. It had blinded him, mentally, like looking on the face of God. Later, there were only fragments to draw on.

But he still remembered the man and the girl and the doorway in the air like some Christmas tableaux. He recalled it all his life, every waking day.

"Where did you go to?" The old man's attention was drifting again. "The three of us were standing in the street. We heard the sound and looked around. You looked at me. I remember your eyes. Surprised at first, then frightened. The door opened. Tenby on both sides of it, but when you looked through it... You crossed over, didn't you?"

The old man nodded.

"Where did you go?"

"Cigarette?" His mouth seemed full of cotton wool.

Martyn dipped his hand into his inside pocket and pulled out the Camels. The old man took one and looked at it as if he had just been given a long-lost childhood toy. Martyn went to light it, but the old man took the lighter from him and rested it on the palm of his hand.

"How long has it been?" His voice was like old leather.

"25 years."

Disbelief flashed on to his face and was then replaced by a cynical acceptance. "25 years? I would have said a hundred. At least a hundred." He glanced back at his hands and threw the cigarette away. "They filled me with spiders."

Martyn had the sudden crashing awareness that his mind had gone; his age eating away at the vibrancy of his experiences. It was too bitterly ironic when he was so close. "What do you mean?" he replied because it was expected of him.

The old man leant forward, his breath reeking of vinegar, and with one hand he pulled down the wrinkled skin under his left eye. For a second there was nothing and then David saw what appeared to be a hair, long and black. It wriggled in the breeze. Another eased out next to it, and then another, and finally, to David's horror, a small black body squeezed out between the skin and the eyeball and skittered down the old man's cheek.

"Christ!" Martyn slithered back to the other end of the seat.

The old man merely smiled. Then he opened his mouth. One corpulent, leathery body crawled over his cracked lips and dropped into his lap. Another followed from the dark recesses, and the onslaught of writhing, wriggling and scurrying began, through the filthy hair of his beard, over his clothes, until his whole body seemed to be creeping. The tiny forms vomitted out in their hundreds on to the pavement where they ran for the shadows.

Martyn leapt from the seat and backed across the path until he felt the security of the iron railings behind him. The old man closed his mouth, his cheeks bulging. "There's plenty more where they came from," he mumbled.

"What has happened to you?" He couldn't hide the disgust in his voice.

Fear suddenly rose to the old man's face, triggered by some fleeting memory, and he shook his head. "No more."

He flicked the lighter and touched it to his sleeve.

Flames surged up his arm as if he was made of straw, licking at his beard, his greasy hair, engulfing him in a ball of fire in seconds. It was unnatural; no one could have burned so quickly. The flames glowed as hot and bright as a furnace and in no time at all they had reduced the old man to nothing, crackling out suddenly when all that was left was a charred black mark across the path. No blackened bones, no human remains at all.

Through the paralysis of his fear, Martyn glanced around for help. No one had seen it. He was alone. He looked back at the path, the air heavy with the stench of burned flesh, and tried to make some sense of it. There wasn't any. The old man had burned like there was nothing in him. Like he was a shell.

A shell filled with spiders.


In the night, his arm started itching and it persisted with a nagging irritation that he had not felt since he was a child. When the dawn sun filtered through the half-drawn curtains he saw it was even more raw and oozing pus. With it came the memories, flashes like the lights of cars through a bedroom window.

"Where the hell have you been? If you wander off like that again..."

"Graham, look at his face. Something's happened to him. Martyn, tell your mother what happened."

TWO MISSING: HOLIDAY TOWN ON ALERT
"Police have given up their search for Dr Arthur Reeves and seven-year-old Mandy Foster who went missing in Tenby on..."

Why had he been left behind?


He rose, dressed quickly and slipped out of the hotel into the chill, empty streets towards the beach. It was a routine, but this day it seemed different, and it was not just the hangover of the old man's death or his troubled night. His subconscious had picked up signals through the aether, calling to him, signals which had their origins 25 years earlier.

By the time his shoes ground into the soft sand, he was filled with excitement. He had picked the right time to return to Tenby, whether by accident or by another coded message from his subconscious.

It was coming back. It was all coming back.


He spotted the object in the surf long before he realised it was a body. At first it appeared to be a large piece of driftwood wrapped in seaweed, but as he drew closer he could see an arm and then a leg protruding from the bladderwrack.

The waves filled his shoes and drenched his trousers as he ran into the water to the prostrate figure, but he was oblivious to the discomfort. Dropping to his knees, as the water sucked and surged around him, he began to rip at the clinging seaweed, revealing lithe brown limbs, shapely hips and breasts, naked, and long black hair. She was in her early 30s. It was the right age; he guessed that time moved the same over there.

Martyn fumbled for her wrist to check for a pulse, but as he did so she convulsed and spat a mouthful of seawater over him. Carefully, he helped her into a sitting position as she heaved and retched the water from her lungs.

Eventually she had calmed enough to breathe regularly, and then she looked around herself for the first time.

"You're back," Martyn said, before she could ask any questions.

Her eyes roved questioningly across his features. It was unmistakably her. The last time he had seen her she had been a child, sweet, innocent seven, dressed in a short hippie dress emblazoned with garish flowers. Back then she had been just another girl, but over the years, as he examined and re-examined her features in his mind, he had recognised a natural beauty which he knew would blossom with time. He had been right.

Her gaze never left his; she made no attempt to cover herself. "You were the little boy, weren't you? You stayed behind."

He nodded. She looked at him for a second more, and then draped her arms around his neck before leaning forward and kissing him on the lips. Her actions shocked him, but he soon responded, moving his mouth in time with hers as it turned from softly exploring to passionate. He slipped his arms around her and felt the slick sensation of seaweed beneath his fingertips.

Her kiss fired things within him that were not directly linked to his growing excitement: memories, sensations, long-hidden but vibrant in his subconscious. His thoughts were disrupted by the feel of her tongue pushing between his lips, exploring, into his mouth. It took a second for him to realise it did not feel quite right. It was too cold, too smoothly textured. It wriggled.

Martyn yanked his head back as the small silver fish slipped from her lips and fell into the surf.

"Don't pull away," she said. "It's been so long since I've touched someone." She stretched out her long, thin fingers to stroke his arm, but he recoiled, remembering the old man and what lay within him.

"What's on the other side?"

She smiled and closed her eyes blissfully. "All the wonders you ever dreamed of when you were a boy. Fairies and elves and unicorns and dragons. Magical, magical creatures. That's where they all come from, you know? Just a step away, through a door. The fairytales are all true."

The cadence of her voice rose and fell in such a way that Martyn recognised a tightly-held nugget of madness at the core of her being, and he knew, regretfully, that he couldn't trust what she said, even though it was just how he had imagined it.

"I've spent so long living in the past, I can't see the present any more." She wasn't listening, but he knew he was speaking to himself anyway. "Nothing else matters, but this. What happened. What I missed. There's almost no point in me going home. My wife doesn't love me, and I don't care about her much. My job...well, that's just dull. It fills the time between my memories. Everything is just flat and grey compared to that day. If I hadn't been so driven to remember I probably would have killed myself." He paused, the thought flaring in his mind. He had considered it on several occasions. Only the possibility that he might leave the grey world behind for a life of wonder had kept him going. "You've got to show me how to get to it."

"You can't go to them. You have to wait till they come to you. They choose the people they want to play with. They can come at any time, anywhere in the world." She laughed as if his request was the most absurd thing in the world. His heart sank. "They take whoever they find."

"So it wasn't just the two of you?"

She shook her head dreamily, droplets of seawater splashing on his shirt. "Children, old men, women, any time, any place. They like to play games." She sighed. "Wonderful, wonderful games. They come when you least expect it."

"What's it like, you know, being with them?" He closed his eyes and imagined the best of all possible worlds.

"The last time I spoke to someone, I think it was my mother, she was trying to get me to eat carrots. I told her I didn't like them, but she said it was an acquired taste and I had to work at it. That's what it was like. You have to learn how to love things."

"What kind of things?"

"Pain."

"Pain?"

"They are so far beyond us. Their games are so..." A shadow crossed her face, a memory returning from the dark land of 1968. "I used to think they didn't like us...humans. They hurt me. They did things to me. But I learned to love them." She gripped his lapels and pulled herself up until her salt-streaked face was inches from his. "It hurts at first. You have to get over that. But you know that already, don't you? I keep forgetting."

"What do you mean?" For the first time, there was a hollow feeling in the pit of his stomach. This didn't sound like heaven, not the wondrous, magical place he had imagined from his brief glimpse through the door.

"Don't you remember? They held your arm. They wanted you to join them. They were laughing." She giggled at the memory. "You screamed and pulled away. You silly boy. Just think what you missed."

Martyn looked down at his wet sleeve. Under the cloth, his flesh was raw and painful. He thought of those four black marks and the fifth on the other side, the imprint of fingers so alien they burnt into his skin.


Martyn felt suddenly cold. In the depths of his mind he saw a dark shape, so awful and glorious its image had been cauterised by his human brain, his memory folding and folding around the scar tissue. The memories shifted, the things he had blanked out, remembering only the goodness, the light without the shade. That dark shape had a face. He felt the urge to be sick and fought the memory back.

"Why have you come back?" The chill grew stronger, and he didn't want to hear the answer.

"They've played with me a long time, but now I've got nothing left to give them. Nothing at all." She coughed and another fish came up into her mouth and slid out between her lips to flap and jump as it dropped into the foam.

"The fish...?"

"They sucked everything out of me. But it was just a game. They were laughing and I had to laugh too. It hurt, too, for a little while, but I knew it was just a game." For an instant, her eyes glazed over as her madness obscured the pain.

Martyn stared past her into the churning water and let the long-hidden memories surface naturally. Minutes passed as they came up, like bubbles bursting on a dark lake, and slowly he began to realise how wrong he had been. Black thoughts skittered around his head like spiders, threatening to destroy him. Everything he had believed in was a lie, wasn't it? He remembered the face. He heard the alien, whispered words that still seemed to speak to him of unspeakable things. And he knew why he had forgotten it all. He had wasted his life dreaming of a fantasy world that never existed, creating his own little patch of heaven when what it really had been was hell. Romance, friendship, ambition, all lost for the sake of an illusion.

Martyn let her go and she flopped limply. The eddies flowed into her mouth and up her nostrils before retreating, but if it caused her discomfort she showed no sign.

He half-turned on his haunches, preparing to leave, when her eyes suddenly flashed open. "They'll come and get you soon. There are so many things they can show you. You'll love it when they play with you." She was looking at him, and for the first time there was something black and squirming behind her childlike love. "They don't like loose ends. They remember you. They told me."

"It looked such a wonderful place," he said flatly.

"And it is wonderful, Martyn. Wonderful, strange and terrible."

He stood up, feeling suddenly giddy. He wanted to escape from her, from that town where things could cross over from a place that shouldn't be to the harsh here and now, but what was the point in running? He had spent so long in the past, the present had no place in his life; there was nowhere to run to.

He looked along the golden beach now dotted with joggers and people walking dogs, out over the grey waves to the horizon, and for a moment almost welcomed what would happen when he heard the creak of the opening door. His own life seemed a pathetic shadow compared to the world that lay beyond.

What would they do to him? What games would they play?

The woman at his feet was melting. Each wave that washed over her seemed to take some essential part of her with it. He could no longer distinguish where her legs ended and the water began.

Leaving her there, he followed his footsteps back across the sand.


Martyn's breathing was ragged and his heart pounding as he jogged up the mountain of steps to the town. As he shouldered his way through the crowds he saw the faces in a new light. Among the beaming children and the blankly beatific parents, there were others, their eyes a little too wide and staring, glancing around as if continuously looking for something, their smiles fixed or simply not there at all, on cold faces that flickered with nervousness. Did they know? Had they seen someone sucked through a gap into nothing?

An old man was slammed into a wall as Martyn passed, his lined face as startled as a fawn in the forest, but then the bed and breakfast was there, and Martyn was through the reception and taking the steps two at a time. His key was out by the time he had reached the third floor. There was his room, 18; it wouldn't take him long to pack his suitcase and get to his car.

He slipped his key in the lock and started to turn it, but as he did so he heard the sound. In his mind he characterised it as a creak, but it was more like a rending of metal as reality tore. He couldn't stop himself - it was as if he was being pulled by some powerful force - and as he swung open the door, the light blasted him blind. Their alien humour had picked the right time to tie up the loose ends. The world of unicorns and fairies and elves beckoned; no longer light, no longer glorious.

He saw the hand and felt his skin smoulder.


Copyright ©Mark Chadbourn 2000. All Rights Reserved.

 

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07 Apr 2000 - Energy Lines


For readers of
World's End: Dr John Dee, the Elizabethan mystic, spy, advisor to the queen, sexual adventurer and all round n’er-do-well, claimed stone circles and other ancient sacred sites around the globe were placed on lines of “invisible force” which our ancestors knew about and could manipulate. So don’t blame the New Agers!

This is an area which has long been of interest to me, so if there’s anyone out there who has personal experience of strangeness at any stone circles and the like, please let me know.

 

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17 Mar 2000 - In Our Darkest Hour...


The eagerly-awaited (at least I hope someone’s waiting for it) second volume in
The Age of Misrule will be out in hardback and that nice but cumbersome trade paperback format on August 10. That’s also the date when World’s End will get its “proper” paperback release.

Darkest Hour continues the story of our disparate group of characters who are desperately trying to cope with a world suddenly turned into a land of myth. And for lovers of fine art everywhere, yes, it does have another excellent “menacing dragon” cover from the supremely talented Jon Sullivan. This time, though, look out for his apocalyptic red colour palette instead of the electric blue of World’s End.

Here’s the blurb:

”The ancient gods of Celtic mythology have returned, and technology has become redundant. It is myth and magic that now reign supreme in the new Dark Age…this Age of Misrule.

The Eternal Conflict between the Light and Dark once again blackens the skies and blights the land. On one side stand the Tuatha de Danann, golden-skinned and beautiful, filled with all the might of angels. On the other are the Fomorii, monstrous devils, hell-bent on destroying all human existence.

And in the middle are five flawed individuals, determined to use the strange power that binds them to the land in a last, desperate attempt to save the human race.

Church, Ruth, Ryan, Laura and Shavi have joined forces with Tom, a hero from the mists of time, to wage a guerrilla war against the iron rule of the gods. But they didn’t count on things going from bad to worse…

For the Fomorii are plotting to resurrect the Heart of Shadows, also known as Balor, the one-eyed god of death believed destroyed when they first walked the world an aeon ago. And if this ultimate Evil casts its grim shadow across the country once more, it really will mean the end of everything…”

As the saying goes (if you read comics), some will live, some will die and nothing will ever be the same again…

Which sets things up rather nicely for Always, Forever in summer 2001…

Check back here soon for extracts, and a few other interesting things…

 

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